Monday, January 13, 2014
Adelaide band aims for success with 'El Pistolero'
The album's opening track is the appropriately titled "El Pistolero". It has a heavy sound right from the get-go and some straight up rock and roll guitar riffs. I immediately liked singer Michael Brown's vocals--they fit well with the style of music, and he sings with a lot off feeling. It's definitely not that whiny shit that has become so popular these days. The lyrics, telling the story of an "above the law" gun-wielding madman, set up the theme that is present for the rest of the album.
"Lady Killer" follows the opening track. It starts out a bit slower but soon becomes an equally hard rocking song. The chorus is super catchy, particularly the line, "See you in Hell where the rest of my friends will be!" The guitar solo has a classic rock-inspired sound.
"Ballad of El Pistolero" is an acoustic ballad that is mid-album. It sounds so unlike all the previous songs. It is quite slow and has a Spanish feel to it. The vocals are quiet, almost monotone. It goes straight into the heavy, gritty rocker "Santa Cecilia". At a minute long, it works very well as a lead-in.
One song on El Pistolero that I just really dig is "Wolf in Cheap Clothes" and I love the humorous play on words in the title. The intro riffs actually have a KISS sound to them, and the same rocking riffs are appear between the verses. The track also features a nice classic rock styled guitar solo with some blisteringly intense notes.
The next track, "Scream in Silence", is a bit different, in that it starts out so slowly and is rather ethereal. Andre Wise's drumming kicks in, giving the song some rhythm. That is joined by calm, yet somehow still emotional, vocals and a laid back guitar and bass. This all changes for the much more powerful chorus. The song becomes louder and heavier, and it momentarily takes on a '90s grunge sound.
"Until the War is Won" has an interesting Western sound in the guitar work and rhythm. Its slowness definitely evokes an image of the desert. The gun fighting subject matter and lyrics about vigilantism make his track even more perfect for this album.
"Now I Ride" is the final track on El Pistolero. It is hard and heavy like the album's earlier tracks. It is a good song, but I question its placement on the album. The lyrics certainly keep with the theme of El Pistolero, but the uncommon sound of "Until the War Is Won" could have been a better fit as the finale since it is so memorable.
This album is unquestionably enjoyable. Several songs stuck out as good ones--namely "Wolf in Cheap Clothes" and "Scream in Silence". The Western and desert influences were unique and refreshing to hear. Tracer have not yet joined the ranks of those other Kevin Shirley-produced acts, but they are a promising new rock band. Tracer and their album El Pistolero do have a great sound to them, one that hard rock fans--particularly grunge that lean toward the Soundgarden-type stuff--are sure to embrace if given the chance.
7 out of 10 stars
Tracer Official Website
The 'monstrous sludge from west of the desert' emerges with new EP
After gaining a following with their trilogy of EPs, The Devil Rides Out released their first full-length record The Heart & The Crown in 2010. They now have five new tracks to share with the world on their latest EP, Ugly Creatures.
The EP begins with the title track of sorts, "Ugly Creature", which starts off with a very heavy bass line followed by an energetic "woo!" This "woo!", however, does not sound like the vocals that are to come. I was expecting some powerful and blues-oriented vocals, but not something this loud. Singer Joey K's voice reminds me a lot of Glenn Danzig with a bit of Henry Rollins and even some Billy Gibbons thrown in. Andrew Ewing's guitar playing is hard and heavy, and it is most prominent between verses and during instrumental breaks. "Ugly Creature" is a long track, clocking in at 7:15. It ends with a lengthy jam where "Oh my God!" is shouted multiple times.
"Burn Again" is a re-tooled version of the song "Watch It Burn" from The Devil Rides Out's The Heart & The Crown album. It opens with amp feedback, and the vocals are much harsher on this version of the song. "Burn Again" has more of a slow, stoner rock vibe than the opening track, and it is also slower than its "Burn Again" predecessor. Something I find rather odd about the verses is that Joey K basically sings three words at a time, making an interesting rhythmic pattern. "Watch It Burn" is the shortest song on the EP at 4:05. It's certainly not a bad song, but I like the energy of the original "Watch It Burn" a lot better.
"The Righteous Walk" is Ugly Creatures' lead single. The intro is very blues-based, and the track is quite slow and laid back. This is the one I can REALLY imagine being played in the dark smoky bar in Texas. The lyrics about a man walking the streets at night to get home to his woman are timeless. The vocals on this track - and most of the others - are very loud and overpowering, almost having a Tasmanian Devil or Incredible Hulk sound to them. While I do understand that singer Joey K is trying to get a certain heavy, bluesy sound across, it often seems like he's trying too hard on this EP. His vocals on the previous EPs and album sound much more natural and balanced. Despite this, I really enjoyed the song "The Righteous Walk", as it stands out among the other tracks. It is quite long and so different from the other songs, so I am a bit intrigued that the band picked it to be the lead single.
The Devil Rides Out's Ugly Creatures has a dirty blues feel with a hint of jamming stoner rock. It is slow at times, while always retaining its heaviness. The vocals are heavy and interesting, but also often forced. I did enjoy the single "The Righteous Walk" because the raw emotional outpour made it really stand out amongst the other tracks. I'm on board with the overall sound of The Devil Rides Out, and I would recommend Ugly Creatures to fans of Clutch, Superchief, and other heavy metal bands from the blues-based stoner metal realm.
6 out of 10 stars
The Devil Rides Out Official Website
Australia's Karnivool creates a rock laboratory with their latest project
Asymmentry begins with the instrumental "Aum". It is slow and features a heavy, resonating bass line which is accompanied by guitar feedback and ambient noise. Parts of it almost have a '60s sci-fi sound, like something on a spaceship winding up. It does end with some vocals, but nothing comprehensible--just some faint oohs and ahhs.
Immediately following "Aum" is "Nachash". Jon Stockman's bass playing has the same heaviness with some added thumping. The intro is very fuzzy, and Ian Kenny's vocals start out as monotone. The singing becomes more melodic as the song shifts to a more conventional hard rock feel in some spots. "Nachash" is quite a dynamic track, as it constantly switches between hard and heavy to soft and quiet.
"We Are" is Asymmetry's lead single, which there is a music video for. The heavy thumping bass is especially prominent on this track, and the vocals are very melodic. I also find something strangely U2-ish about this song. The sounds are subtle, but the lyrics hint at a message of social consciousness. "We Are" contains a brief distorted guitar solo that is fairly impressive, and the vocals at the end have a really cool sounding harmony as the music fades out.
Near the middle of Asymmetry is the seven minute mammoth "Aeons". It begins with some electronic sounds that are reminiscent of a 1980s Atari game. It is consistently slow, yet heavy, but the melodies vary. Some memorable moments are the lyric "It's your funeral / it's your dying day" and the Bono-esque vocals on the "When I breathe again..." lines. "Aeons" takes on a modern alt rock feel during the bridge with the climactic "Chemical fires will signal we're dead" refrain. The song keeps building up--until it abruptly ends with more electronic sounds.
"Asymmetry" is the very short and mostly instrumental title track. It predominately features a certain super repetitive and almost grating sound. A distorted guitar joins in, giving the song a more bearable rock feel. It ends with pounding percussion and some indecipherable vocals as it explodes with a static sound--leading right into the musically unrelated "Eidolon".
"Eidolon" is my favorite track from Karnivool's Asymmetry. It sounds pretty much like a typical alt rock song, and it is probably the most "regular" sounding and least experimental rock song on the album. I have nothing against experimentation, but I am just really drawn to this song. "Eidolon" does have its heavy moments, and the chorus is catchy with some repetition. Something else that may be worth mentioning is that the end randomly sounds like the beginning of "Running With the Devil" by Van Halen.
"Float" is the appropriately named ethereal song near the album's end. It is relaxing and calm, and the vocals are soothing. The melody is absolutely hauntingly beautiful. The end features some choral-style chanting followed by a high-pitched "nails on a chalkboard" type sound. That was slightly disappointing, because it seemed to take away from an otherwise purely pleasant song. Any of the other electronic or distorted effects--whether subtle or obvious--on this album sound very deliberate, so I accept whatever reason Karnivool had behind placing it there.
The final track on Asymmetry is "Om". It starts out with piano and some other subtler sounds. About a minute and a half into the song, a crackly old-sounding speech begins to play. It is about death and other dimensions. I actually Googled some of the dialog and discovered it to be a philosopher named Gerald Heard describing the effects of LSD. In the same video about LSD research, there is a woman experimenting with LSD who may sound quite familiar to rock audiences. A sample of her speaking was used in the intro to Rob Zombie's Venomous Rat Regeneration Vendor album earlier this year. As the drug related talking on "Om" ends, the music fades out with a whirring sound, and the lengthy 67 minute album is finally over.
Karnivool's album Asymmetry is undoubtedly experimental, yet it does include some good hard rock moments. It's certainly heavy, but not in the typical metal fashion. It boasts some beautiful melodic moments, especially with Ian Kenny's vocals on the outstanding tracks "Eidolon" and "Float". Asymmetry may be not for everyone, especially those who are not used to prog rock or musical experimentation. As a more traditional rock and metal fan personally, I find that listening to this album with an open mind will definitely make it a more pleasurable experience.
6 1/2 out of 10 stars
Cymatic Records/Sony Music Australia
Karnivool Official Website
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